Music

'Each piece has a strong economy of Means and a strict control of Form. Means and Form are use by Mukarno in an elementary and powerful way'

For large ensemble and electronics.
2 fl/pic, Bb cla, bcla, hrn, trp, trb, prc, pno, 2 vln, vla, vlc and electronics

Commissioned by Fonds voor de Scheppende Toonkunst

For Slendro gamelan: saron peking, saron barung, saron demung, gender panerus, gender barung, slentem, bonang panerus, bonang barung, kenong, kempul, gong sluwukan, gong ageng, rebab, cengceng, ketuk, kendang gending, kendang, ketipung, kendang, ciblon, bedug.
Commissioned by Deutschlandfunk

For marimba solo, big-band, string quartet and live electronics. b.cl, a.sx, t.sx, 2 Bb trp, tbn, b.tbn, mrb, e.gtr, pno, cb, ds, 2vln, vla, vlc and live electronics.

Syrah (2002) ’20

For chromatic gamelan ensemble and sax quartet.
soprano sax, alt sax, tenor sax, baritone sax, 2 extended saron, bonang barung, gender panerus, gender barung, kempul and gong.

Commissioned by Fonds voor de Scheppende Toonkunst.

Eya (2001) ’25

For ensemble and live electronica.
ob ,cla ,bassoon, hrn, prc, harp, gui, vl, vla, vlc, cb.

Taric (2000) ’20

For Slendro gamelan ensemble and live electronics.
Saron peking, saron barung, saron demung, gender panerus, gender barung, slentem, bonang panerus, bonang barung, kenong, kempul, gong sluwukan, gong ageng, ketuk and live electronics.
Commissioned by the Nederlandse Programma Stichting.

Artrax (2000) ’21

For ensemble.
pic/ fl, cl, b cl, trp, trb, b trb, 2 prc, pno, 2 vlc, 2 cb. Commissioned by Stichting Theater Lantaren/Venster.

DOG (1998) ’15

For large ensemble en recitor.
2 trp, 2hrn, trb, b trb, 3 prc, pno, rct, 2 vl, 2vlc, 2 cb.

Trinkx (2003) ’25

For ensemble.
pic/fl, 3 sax, hrn, 3 trp, 2 trb, btrb, pno, electicbass and live electronics.

Commissioned by Fonds voor de Scheppende Toonkunst.

String quartet
Composed for Doelen Kwartet

Commissioned by Fonds Podiumkunsten

For accordion, bass clarinet and trombone.
Commissioned by Nederlands Fonds voor de Podiumkunsten +

For soprano saxophone, cello, percussion, harpsichord and electronics.

Commissioned by Fonds voor de Scheppende Toonkunst

Iyona (2004) ’20

For bass clarinet, percussion, celesta, harp, piano and cello. Commissioned by Fonds voor de Scheppende Toonkunst.

For clarinets (Bb clarinet and contrabass clarinet), sax (alto sax and baritone sax) and piano.

Commissioned by the Flemish Government

For two pianos and electronics.

For accordion, bass clarinet, trombone, piano and electronics

Commissioned by Filmmuseum/Filmbank

Eva & Harlot (2005) ’20

For violin, soprano, percussion, recorder/ocarina and electronics.

Commissioned by Fonds voor de Scheppende Toonkunst

Demam (2001) ’30

For gamelan and electronics

Commissioned by Stichting Pasar Malam Besar

Elia Demostra (2002) ’20

For church organ, carillon and live electronics.

Commissioned by Amsterdams Fonds voor de Kunst.

For cello and voice

For voice and voice skin with 6 tracks electronics

For violin solo

Zia (2009) ’20

For 2 Toy Piano
Composed for Bernd Wiesemann

For Organ and Electronics

Composed for Katerina Chrobokova

Kathara (2007) ’13

For carillon solo

Commissioned by Fonds voor de Scheppende Toonkunst

Oraye (2003) ’25

For church organ and live electronics

Commissioned by De Rotterdamse Kunststichting

 For violin solo and live electronics
Commissioned by Fonds voor de Scheppende Toonkunst

Atlas non Finito (1996) ’14

For recorders, voice en electronics

live electronic music for a dance performance of Giovanni Maisto Ferreira

Music for a dance project of Katarina Skår Henriksen

Installation Accidental Music (2013) continuous performance Soundscape for the Subway Tunnel Wilhelminaplein, Rotterdam. Commissioned by Red Ear

Soundtrack composed for Spot On Film 48 Hour Film Project Amsterdam

Soundtrack composed for Spot On Film 48 Hour Film Project Utrecht

I guess…this means goodbye (2010) ‘6

Electric guitar, piano and electronics
Soundtrack and sound design for video of Kim Engelen Composed for Engelen Projects

Familia de los Santos (2009)

Soundtrack for ‘Familia de los Santos’ by Saul Preciado

Composed for and Commissioned by Cofradia Films

Radiophonic work
Composed for Centrum Electronische Muziek, Rotterdam and VPRO

Commissioned by Nederlands Fonds voor de Podiumkunsten +

Eva & Harlot – Soundscape (2005) ’75

Commissioned by Fonds voor de Scheppende Toonkunst

Connecting the Waves (2002) 5’00 [hour]

Multimedia (performance, sound installation)

Multimedia (electronic music, dance, light)

Multimedia (dance, sound installation)

Dejeuner sur l’herbe (2000)

continuous performance

A Sound System applied to a hybrid designed metal tubes installation

Commissioned by Amsterdams Fonds voor de Kunst

Kamaloka (1999) ‘5’56

Electronic music

The variety thus attained is striking. In spite of the frequent use of rough, unpolished sounds, there is a world of difference between for example the almost primal force of DOG and the more lyrical atmosphere of Online.